Tang Ying Chi  鄧  凝  姿                artist, curator, writer and editor ; based in Hong Kong
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Supposedly Tang's work embraces a sense of inadvertently intricate rhythm. However, after I got acquainted with her, her persistence to certain things and her ingenuity towards daily arrangement conveys a contrary feeling. Regardless, her work uncovers a sense of abscurity, which leaves behind traces of her daily observation and responses towards social issues. - Tam Wai Ping 2004.

New series of work in painitng by application of digital projection on city/urbanization from 2011.

 

Walk-in Tuen Mun 進入屯門 - A Residency Project at Lingnan University in 2010.

 

Light/Line 光/線

Exhibited at the Pao Galleries, Hong Kong Arts Centre. (Visual Veil Series 2003-2009)

The veil and the shelf 紗與架

Site-specific work at the exhibition entitled HistoriCity –Art Historical Writing in and on Hong Kong at Asia Art Archive 2007. (Visual Veil Series 2003-2009)

Veiled clothes 隱蔽服

At the 'Cursive' exhibition, Artist Commune in Hong Kong in 2007. (Visual Veil Series 2003-2009)

Veiled wall 隱蔽牆

At the 'Megartstore' exhibition, Hong Kong Heritage Museum, 2006. (Visual Veil Series 2003-2009)

From Smallpox Vaccination…Fiction in Wanchai 由種牛痘開始 – 一個在灣仔虛構的故事

At the 'Re: Wanchai, International Artists Workshop' Exhibition in 2005. (Visual Veil Series 2003-2009)

The lady likes to put on this fabric to see the world. 那位女士喜歡穿上這幅布料去觀看世界, 2003

(Visual Veil Series 2003-2009)

Auspicious Series – About Time and Contemporary 2002-2003 吉祥系列

Exhibited at Hong Kong Central Library.

They're growing up 他們是這樣長大的 1996.

(Hongkongese as an Identity Series 1991-1996)

Playing majong 玩打麻雀 1996.

(Hongkongese as an Identity Series 1991-1996)

Beauty美麗 1995.

(Hongkongese as an Identity Series 1991-1996)

Beauty, Happiness and Intelligence VI 美麗、快樂及智慧(六)1995.

(Hongkongese as an Identity Series 1991-1996)

Hong Kong Map Series: Land Reclamation and Idea of Center/Marginal Position 1998-1999

We're nice people 我們都是善良的 1991.

Art Statement 藝術陳述